A piece I wrote last year for Science Fiction and Fantasy Writers of America. The fact that I'm Australian didn't seem to bother them, so we'll just go with it.
Originally published by SFWA here.
The official ambassadors of the 2013 VisitScotland campaign. No, really!
Writing novels – and fantasy novels in particular – is an undertaking filled with pesky logistical hurdles.
Enter the horse.
In what concerns many car-free fantasy worlds, horses are the perfect solution to transport issues, barring flashier options of teleportation or dragons. Yet a regrettable trend across much fantasy writing is that of a horse not really being a horse, but simply a plot device; a vehicle to help carry a story along.
Horses, however, are not vehicles.
Unless you have had experience riding and working with horses, it can be easy – and it’s entirely forgivable – to unwittingly make mistakes when depicting your protagonist’s steed. What’s more, while this could appear a trivial issue, anyone with basic equine knowledge will be able to identify such errors, and may grow sceptical of your authority as a storyteller. On the plus side, however, such errors can also be avoided relatively easily, once one becomes aware of them.
- Horses Are Not Machines
Unless rigorously trained for endurance, the most ground a horse might be able to cover in a day is about 30-40 miles – and they’d likely be tired afterwards. Terrain also affects a horse’s stamina.
Essentially, remember that horses are living creatures; they tire, they grow hungry, and they get sick. They also have minds of their own – and these aren’t always on the same page as those of their riders.
- Nobody Learns In A Day
Furthermore, handling horses on the ground is also a skill requiring time. When one first begins working with horses, one can’t read their body language; flicking ears, shifting legs, squeals and snorts. The initial reaction when faced with a horse also tends to be one of intimidation – they’re big animals. So for your protagonist to be confident catching horses, feeding them, tacking them up… that all takes time and experience. You don’t need to devote pages to your character learning relatively mundane skills, but you should acknowledge that these are skills which they are learning, or which they have somehow acquired at another point in time.
Additional note: horses aren’t domesticated in a day either. Worth remembering next time you chance upon a handy herd in the wilderness – sorry.
- Not All Horses Are The Same
- Horses’ Emotions Are Different From Those Of Humans
[Edit: there will always be exceptions. Animal-lover that I am, however, I'd argue that like most creatures, horses are disinclined to act viciously unless there is a reason: protecting the herd, lashing out against poor treatment, being forced to smite enemies underhoof during a cavalry charge, etc. Animals typically aren't born mean].
What’s more, various behaviours you’ve seen expressed by horses in pop culture are wrong. Horses do not sniff the ground like dogs. They do not rear if the only cause for doing so is cinematic aesthetic. And they usually only whinny when calling to one another while separated, or anticipating food; they are not vocal in the same way as humans.
- …None Of This Is Problematic
Yet variables and variety regarding the horse needn’t be perceived as foiling one’s story; indeed, such variables can translate into additional conflict. You may not have a car on which to burst a tyre, but you can write about a lame, cantankerous steed – and your protagonist will end up stranded in The Forest Of Darkness either way.
What’s more, approaching a story element often considered mundane with an attitude of awareness and curiosity, could also help generate ideas in other areas. What might be the physical quirks of dragons? Is there more life to depict in the world of the trusty steed?
One never knows – and you’re the writer, so you tell me. Just don’t get complacent, and put a perfectly good opportunity out to pasture.